This Mimeta proposed initiative aims to mobilize resources for safeguarding artists at risk by facilitating a process for funder collaboration and exchange, leading to the establishment of a joint fund dedicated to supporting the artist protection field.
Mimeta would like to invite you as a funding partner to a meeting on Thursday 23rd March 11:30 – 16:00 (lunch included, venue tbc) to discuss this Artist at Risk funding Initiative, and confirm partnerships with those interested. The meeting will take place in cooperation with and around ICORN annual network meeting, 22-24 March in Brussels.
Voices Of Culture – The structured dialogue between the European Commission and the cultural sector has published a Brainstorming report on “International Cultural Relations” (ICR) and made it available in 5 languages, namely, English, Arabic, Chinese, Hindi and Spanish.
The Brainstorming report represents a collection of topics, recommendations, tangible steps and project ideas drawn from the Voices of Culture Structured Dialogue on ICR in February 2022. Four considerations – equity, space, access and time – have been used to address complex topics in ICR. They enhance, within this framework, a more inclusive approach and bring new voices into the co-design of ICR activities and the exploring of funding mechanisms. While avoiding reinventing the wheel, the discussions gave space to share knowledge, time to read and learn from others, and an understanding of the gaps in information, knowledge and perspectives.
Artists mostly fall short when the fight for freedom of expression is proclaimed in international forums. The focus is on the media and journalists, political dissidents, and rights activists. A little over a year ago, then Norwegian Foreign Minister Søreide launched the ministry's Strategy for freedom of expression in foreign and development policy. The strategy marked a breakthrough for artistic expression. They were included as part of the work for freedom of expression in Norway's foreign policy.
Brett Davidson is the Narrative Lead at IRIS (read about the partnership between Mimeta and IRIS here). What makes narrative change so hard? Non-profits and funders can go too far in pointing fingers at their own shortcomings, and the reality is that they are playing on an uneven psychological field, explains Brett Davidson for the Stanford Social Innovation Review.
Brett Davidson, a narrative strategist with deep experience in health equity, is particularly interested in the role of storytelling, popular culture, and arts activism in bringing about social change (from IRIS Hopepage)
In the October issue of their newsletter, Arab Fund for Arts and Culture, invite us to read interviews with three AFAC-supported artists that delve into the various specificities and challenges of the Arab region’s habitats, as they frame it. They ask: How do we preserve our lands? How do we ensure continuity and sustainability for our communities? And how do we reclaim public spaces and instill a sense of belonging in conflict-ridden areas? The questions are done on background of Climate change, conflicts and health crises that have exacerbated inequalities and vulnerabilities with respect to the basic right for adequate shelter and safe space.
As a peer organisation we would like to express support to AFAC for their storytelling, and we take the liberty to share. If you are not subscribing to their newsletter, please do!
27 to 30 October 2022 - Centro Cultural del Bosque INBAL - Colegio de San Ildefonso
This year, Landscapes of Hope , launched by Action For Hope العمل للأمل, is organizing its annual international rally of artists and writers for Social Justice live in Mexico City.
Sanad in the Digital Realm responds to the needs of Syrian people, both inside and outside Syria, who cannot necessarily gather in physical spaces to reach audiences safely. Digital space offers a viable alternative, particularly for projects using bold and innovative formats
En av Arendalsukas største begivenheter i år var da Ytringsfrihetskommisjonen la frem sin rapport, som også omfatter et kapittel om kunstnerisk frihet. Den sier at «Knapt noen steder i verden ligger forholdene like godt til rette for en velfungerende ytringsfrihet og sunn ytringskultur enn i Norge. Det gjelder også for kunstnere og den kunstneriske friheten. Med dette utgangspunktet følger også et ansvar for å engasjere seg i kunstneres kår andre steder i verden, der forholdene er langt mer krevende. Norske myndigheter og kunstnerorganisasjoner bør være pådrivere og rollemodeller for kunstnerisk frihet også internasjonalt.
The ACP-EU Culture Programe - Créer en Afrique Centrale has launched its third call for proposals to support cultural and creative industries (CCIs) in Central Africa as economic, social and cultural actors, with the aim of increasing the economic revenues of the creative sector, fostering the creation of sustainable jobs in the cultural sector as well as better accessibility, recognition and valorisation of artists and their works.